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Baruch asks who will share in the glory to come and is told, 'Those that believe.' The six 'black waters' described represent six evil periods in world history, and the 'six clear waters' denote the number of good periods.

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The Smart Araneta Coliseum, known as The Big Dome, is an indoor multi-purpose sports arena that is part of the Araneta Center in the Cubao area of Quezon City, Philippines.

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We've been working hard behind the scenes, still hitting the rooms and working with police. For those of you who only know us from "To Catch a Predator", we were working hard before TCAP and we're working hard after TCAP.

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In one call, as described by the Montana Supreme Court, "Sherer, impersonating a sympathetic and caring doctor, instructed the victim to cut off her nipple.

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The lead programmer and designer was Dylan Cuthbert, who later became notable for the Star Fox series. It let players build decorations in the town; has new items, neighbours and new features; and has different events. Team leader needs translation help for PSP's version. Remade for the PC as Brandish 4: Tower of the Sleeping God. Also, the game's creator prefers to refer to it as a test of timed checkpoint racing rather than a normal racing game.

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Sie spielen Mechanismen von Gruppenbildung durch und nehmen alles in Kauf, was dieser Prozess mit sich bringt – mitgehangen, mitgefangen sozusagen. January 2018 from 12 - 13.15 o'clock (at ROXY)Location Always at Tanzraum Warteck, Burgweg 7-15, Basel Just the 19th January at ROXY (on stage) Muttenzerstrasse 6, Birsfelden Projekt begleitet von Danse & Dramaturgie, ein Programm initiiert von Théâtre Sévelin 36, in Zusammenarbeit mit der Dampfzentrale Bern, Tanzhaus Zürich, TU-Théâtre de l'Usine, ROXY Birsfelden Konzept Bufo Makmal Choreografie/Tanz Margarita Kennedy, Clea Onori, Rosie Terry Toogood Kostüm Gwen van den Eijnde Licht/Bühne Yoshi Goettgens Sound Designer & Composer Jan Sutter mit Musik von Simon Berz und Lorraine Dinkel Oeil extérieur Yasmine Hugonnet Dramaturgie Merel Heering, Thomas Schaupp Assistenz Nora Wyss Produktionsleitung Pascal Moor Gefördert durch Fachausschuss Theater und Tanz BS/BL, Stanley Thomas Johnson Stiftung, Sulger Stiftung, Jacqueline Spengler Stiftung, Fondation Nestlé pour l’Art, Jubiläumsstiftung der Basellandschaftlichen Kantonalbank, Scheidegger-Thommen-Stiftung, Migros Kulturprozent, Stiftung Corymbo Als „Wunschknochen“ wird ein Teil des Vogelskeletts bezeichnet, der niemals in der Mitte bricht, so dass immer ein grösseres und ein kleineres Stück entsteht. Wer das grössere Stück erhält, hat einen Wunsch frei und unser Wunsch ist wahr geworden: In der ersten Ausgabe unseres hausgemachten Tanzkurzstückformats MIXED PICKLES präsentierte das Tänzerinnenkollektiv Bufo Makmal das Kurzstück INTO PIECES und begeisterte unser Publikum. Welche Zeitkapseln erschliessen dem Menschen der Zukunft seine Herkunft und Identität?